Les Xénobiophiles

Extraits
[…] Writing is the nearest thing to telepathy we have discovered (to steal a leaf from Stephen King’s On Writing). It’s a technique we use for serializing a stream of consciousness, freezing it for posterity, and injecting it into other human heads whereupon, by some process we don’t fully understand, it is unpacked and hopefully creates a structural cognate of the original author’s conscious experience in the reader’s mind. Alas, it’s also a piss-poor substitute for real telepathy (whatever that would feel like): you never read the same story the same way twice, and no two readers ever read it quite the same way. The structural cognate that a book gives rise to in the reader’s mind is intimately dependent on the state of that mind, and human minds evolve over time. […]

[…] If the first-person telepathy module is a bunch of electrodes in the brain of one actor, feeding us their stream of consciousness, and the third-person telepathy module is a brain-sucking mosquito bouncing around the actors, the second-person telepathy module is an alien mind control parasite that gloms onto you, sticks its electrodes into your brain, and tells you what to think. It’s got amazing potential for fine-grained insight into the guts of a story — after all, the second person is the most immersive viewpoint — but it’s a very hard tool to use without tickling the reader into noticing it. Alien mind control parasites tend to be one of those things that make most humans go “eek!” and run away very fast, and the same is true of this story-telling mode. […]